Exploring the Traditional Craft of Block Printing

The Anokhi Museum of Hand Printing in Jaipur introduces visitors to the ancient art of Indian block printing through the process of block carving and hand printing process. Ketki Garde discovers this offbeat gem, highly recommended for a visit while in Jaipur. Khamma Ghani Jaipur! 

Jaipur, a UNESCO World Heritage Site is popular for its heritage sights and also has a legacy of rich art and crafts which includes hand-block printing. Chanvar Palkiwalon ki Haveli, also known as Anokhi Museum, is located in the peaceful corner of Amer, popular for the grand Amer or Amber fort. It is a must-visit museum for textile enthusiasts who want to be reminded of the incredible richness of India’s textile culture.

History of Anokhi Museum of Hand Printing

The dilapidated Chanvar Palkiwalon ki Haveli was given a makeover in the year 1989 by John Singh, co-founder of Anokhi. With aid from skilled craftsman and heritage architects, the Haveli was restored to its original grandeur. The museum was opened to visitors in 2005 and started to be recognised as Anokhi Museum of Hand Printing. Since then, Anokhi Museum has offered visitors an introduction to the ancient art of Indian block printing through their collection of historical and contemporary textiles. The museum represents the traditional art forms of hand printing by showcasing its history, process, and techniques. It also addresses the fragile existence of the traditional art form which faces challenges in the modern fashion industry. 

Hand Block Printing: A quick overview

Hand block printing is the unique technique which involves carving a desired pattern or design on a wooden block, covering this block with ink or dye and then stamping it on textiles such as cotton or silk. Indian printing techniques are diverse which includes: Bagru, Bandhani, Dabu, Kalamkari, Ajrakh, Leheriya, Sanganeri, and Batik.

The traditional print pattern used natural dyes from the backyard making it one of the most sustainable practices. In India, several hand-printing techniques were born and then persisted during the centuries. One can know all about block printing by visiting the galleries of Anokhi museum.

Unique aspect of Anokhi Museum

Anokhi museum recognises and celebrates the existence of traditional Hand Block Printing as an art form and making efforts to document and promote it. The museum houses permanent collections as well as temporary exhibitions which feature images, tools and other paraphernalia alongside block printed textile items. 

The collection consists of many block-printed textiles alongside images, tools and related objects, all chosen to provide an in-depth look into the complexity of this traditional craft. For its contribution to the textile heritage, the museum holds a UNESCO certification.

Dabu, a type of block print is the focus of Anokhi museum’s permanent collections.

Exhibitions and Collections

Visitors to Anokhi museum have the unique opportunity to know about the techniques which range from wood carving a block to dyeing the cloth. The exhibition includes discovering the historic roots of block printing as well as showcases contemporary design in modern fashion.

The galleries in Anokhi give a glimpse of the complexity of this craft which is used in making traditional dresses and is now being used in home furnishings. 

The dilapidated Chanvar Palkiwalon ki Haveli was given a makeover in the year 1989 by John Singh, co-founder of Anokhi, restored to its original grandeur and reopened as Anokhi Museum of Hand Printing.

Demonstration at Anokhi Museum

Visitors to the museum have an opportunity to interact with the artisans and try their hand at block carving or block printing a small piece of cloth in the live demonstration area. There is a DIY T-shirt counter where craft enthusiasts can choose a design, block print on it, sundry and take it back as a souvenir. 

Educational Workshops at Anokhi Museum

Other than the demonstrations and exhibits, the museum organises various educational programs and workshops to focus on various aspects of this ancient craft. There are various demonstrations related to block carving, printmaking, and block carving, etc. for all the visitors on a daily basis. Visitors can choose from a variety of classes to work for a short term along with experienced craftsman on individualised projects. The museum also offers a two-day course in block-printing and wood-carving to visitors and enthusiasts who are keen on learning the process. 

There are workshops to choose from for school children and college students and provides either a general tour or a special exhibition tour so as to promote the craft. 

The museum supports an ongoing research program to study block printing, particularly in regions of northern India, which has resulted in an ongoing series of publications which are kept for sale at the shop.

Anokhi Museum Shop

Visitors also get a chance to take a piece of this craft back home as a souvenir. The Anokhi shop in the premises carries a selection of hand-crafted merchandise inspired by the Anokhi Museum of Hand Printing collection. Visitors can choose from the diverse range of handcrafted diaries, files, garments, stoles and many other collections. 

The museum represents the traditional art forms of hand printing by showcasing its history, process, and techniques.

Final thoughts on Anokhi Museum

The exhibitions, galleries and demonstration areas are thoughtful, informative and portray the history of the block print craft in the best possible way. The museum is well placed to increase awareness of block printing and the cultures that have traditionally made and used it in the past and in the present. It is highly recommended for art, culture and heritage lovers for an enriching experience.

Anokhi Museum timings

Tuesday – Saturday : 10:30am – 5:00pm; Sunday: 11:00am – 4:30pm

Anokhi Museum is closed on Mondays.

Leave a comment

Your email address will not be published. Required fields are marked *

Metaverse: Can VR Replace Traditional ?

The roar of virtual slot machines, the digital chime of winning spins, and the hypnotic glow of your screen the sweet symphony of online casinos, where wallets vanish with a click, and dreams dangle on the edge of an algorithm. But what if you could sit at virtual blackjack tables, sip virtual cocktails, and smoke virtual cigars, while the only thing actually smoking was your GPU? Welcome to the metaverse, the latest boogeyman for traditional online casinos. VR casinos, promise a fully immersive experience from the comfort of your couch or bed, no judgment. But is this the end of traditional casinos, or just a shinier way to chase the same old odds? One thing’s for sure: at least here, you won’t have to dodge tourists or bad karaoke. A Casino You Can’t Touch The metaverse is a glorious invention that proves we don’t need reality anymore. In its simplest form, the metaverse is a digital universe where people interact via avatars, living their best virtual lives. This brave new world blends VR, AR, blockchain, and a touch of living in a simulation paranoia to create an interactive space for everything, including gambling. For example: an online casino in Decentraland, where you can strut around in your digital Gucci outfit, playing blackjack with people who may or may not be real. They use DG tokens, players earn rewards, stake crypto, and experience a gambling hall that doesn’t smell like cigars and regret. Of course, this wasn’t invented overnight. The concept of the metaverse was first described in 1992 by Neal Stephenson in Snow Crash, a cyberpunk novel where people escaped their dull reality through a virtual world. Little did he know, decades later, tech giants and crypto bros would make this dream a very expensive reality. Feature Metaverse Casino Traditional

Vartika Chandani: Wedding Planner Trends for 2025

At just 19, Vartika Chandani has transformed The Vara Weddings into a cross-city, cross-border celebration design company known for its culturally rooted yet contemporary weddings. From Mumbai to Marrakech, her team curates immersive experiences that blend emotion, tradition, and storytelling. Among India’s new wave of trailblazers, she gives us a lowdown on the latest wedding trends this 2025. What are the top 3 most requested luxury add-ons in 2025 weddings?In 2025, couples are investing in experiences that immerse guests completely. Personalised touchpoints like curated welcome hampers, live perfume bars, and interactive food artistry counters are huge. Entertainment is bigger than ever think international acts, celebrity performances, aerial musicians, and projection mapping shows. Design has gone bold, with dramatic floral tunnels, bespoke thematic entries, and LED or 3D-mapped dance floors that transform spaces into dreamscapes. For couples looking to elevate their wedding beyond tradition, what unexpected elements are trending? Indian weddings are embracing immersive, non-traditional elements that surprise and delight festival-style after-parties, intimate chef’s table dinners for family, and live artists painting moments as they happen. Interactive zones are booming, from mixology counters and tarot corners to custom fragrance blending. These details create a personal storyline for the wedding, making it an unforgettable journey rather than just an event. Guests today expect more than food and music. How are you keeping them engaged between events? Guests crave connection and interaction they want to be part of the celebration, not just watch it. We create “mini-worlds” within weddings: nostalgia corners with childhood games, art walls for illustrated messages, live food theatres, and immersive setups like chai-tasting lounges or quirky photo booths that change with each function. These zones spark conversations, laughter, and memories beyond the dance floor. How are tech and AI shaping modern weddings? Couples are embracing AI powered memory booths

Reviving the art of storytelling: Chitrakathi

The once popular Chitrakathi, storytelling through paintings, is brought back to life by the Gangawane family in Maharashtra’s Sindhudurg. Ketki Gadre interviews the last family practicing this art form to delve into their motivations and the supporters who have aided them on this journey. After a long day of trekking the Western Ghats around Bhogwe Beach in Sindhudurg, my luxury resort, Coco Shambhala, suggested an unusual activity – an art class. They agreed to it and invited Chetan Gangavane, a third-generation Chitrakathi artist working to revive this art form. Chitrakathi Art While setting up the art activity, Mr Chetan briefs me about the 11 art forms his community (Thakar) has been involved with for generations. His family currently practices three art forms unique to Maharashtra: String puppetry, Chitrakathi, and Shadow puppetry. “Chitrakathi involves storytelling through art on a 12×15” or 12×18” canvas, which can take 1-3 days to complete, depending on the painting’s intricacy. Traditionally, these paintings depicted scenes from mythological epics like the Ramayana and Mahabharata, accompanied by live singers playing instruments. Therefore, Chitrakathi artists needed not only painting skills but also the ability to sing and play instruments,” explains Mr. Chetan. The Thakar community, an Adivasi tribe living in the forests, gained recognition for their art from the erstwhile warrior king Chhatrapati Shivaji Maharaj. He brought them out of forests and closer to towns and provided them opportunities to perform art shows during festivals. In return, the community assisted the king by spreading messages of social enlightenment through their art. The artists earned their livelihood for many years through food or monetary donations. However, over time, attitudes shifted, and people stopped donating food and began treating them with disrespect. The Gangavane family is the last Thakar community to practice this centuries-old art form. The rest gave up with

Nurturing Artistic Talent: Sunaina Misra’s Vision for Artiste Culture

In the vibrant world of contemporary art, one name stands out for its unique approach to nurturing and managing artistic talent: Goa-based Sunaina Misra. As the founder of Artiste Culture, Sunaina has revolutionized how artists are managed, helping them navigate the complexities of the art industry. Her agency works directly with artists worldwide, assisting them in making connections and developing the skills needed to elevate their creative careers. Surabhi Goel had the pleasure of sitting down with Sunaina to discuss her background, the origin of Artiste Culture, and her vision for the future. I always grew up in an environment where my mother encouraged me to explore art in various forms, painting or visiting galleries. She wanted me to find my passion, so she enrolled me in different classes, from basketball to art. By age 15, I started working with an artist in Lucknow, helping him in his studio. There, I discovered my knack for organizing and managing artistic tasks, such as typing resumes and basic computer tasks. This experience sparked my interest in art management. Later, I pursued my Master’s in Art and Design Management in Newcastle, which solidified my understanding of the field. After various roles, including working for an art start-up and a museum, COVID-19 hit, leading me to start Artiste Culture. A blend of necessity and passion drove me to create a platform to support artists during uncertain times. The inspiration came from identifying gaps within the industry. Artists often struggled with managing their careers while focusing on their art. I wanted to create a space where artists could focus on creating while we took care of everything else—finding exhibitions, writing citations, and managing logistics. My vision was to build a multicultural and diverse environment that supports artists from all over the world. Over time, Artiste

You May Also Like

Connect with us