Arts and Theater

Latching onto a Muse – Santhanam Krishnan

Doors are the route to the lives beyond them. Doors with colors smeared on them on festivals, sandalwood and turmeric paste and decorated with dots of vermilion…

Santhanam Krishnan grew up with such memories. The doors in his childhood hometown seemed to vanish as he moved to the city and he decided to stay with them through his art. It has been 21 years now, and Santhanam’s paintings have been on display in art shows across the globe. In our fast-moving world, these paintings are like a reminder to slow down and smell the roses. He chats with Nivedita Rao on his preferred muse, and how he sees it as a piece of story that everyone wants to carry.

What moves you so much about doors that you decided to choose them as your muse?

In my hometown Kumbakonam, the doors are colorful and they have stories too. They depict the lives of the people behind them. That is how I started doing paintings with doors as my muse. Some doors open to a Tulasi plant. Some doors have a movie poster behind them. Some older doors have numbers such as P87 depicting the Polio drop immunization. It is also a journey to simpler times when copper vessels were used to boil water. The current era we are again drinking water from copper bottles. So it is a commentary on our lives.

And when they see my paintings with boilers—copper vessels or glasses, it connects a person to a story from their childhood, like it did for me. I registered everything from my childhood. Also, I believe that a painting is not a decorative piece, or a piece of furniture. You want to connect it with something.

Doors are a very evocative subject. What kind of a response do you get when people own your paintings?

Everyone has some story associated with an element of my painting. It could be anyone from any strata of the society. I have buyers in India and Germany too. A German recognised MGR from my painting and wanted to purchase it. He liked the cooling glasses and the cap. Even my driver goes back to his childhood when he sees my painting. Another interesting incident is when an Indian hotel owner in Berlin bought my painting to help calm down anxious customers waiting for their seats.

Has the pandemic affected your work in any way?

The pandemic has in fact increased my work by four times and people who are sitting in their houses, especially abroad, plan their interiors and reach out to me. Though I miss travelling, I feel art is therapeutic and has kept me going.

Santhanam hopes to reach out to more people with his paintings and also started a homestay in Kumbakonam to invite people to the temple town and explore the various flavours of the town and relax and paint.

April 9, 2021

Arts, Paintings, Santhanam Krishnan, Santhanam Krishnan Paintings

Reviving the art of storytelling: Chitrakathi

The once popular Chitrakathi, storytelling through paintings, is brought back to life by the Gangawane family in Maharashtra’s Sindhudurg. Ketki Gadre interviews the last family practicing this art form to delve into their motivations and the supporters who have aided them on this journey. After a long day of trekking the Western Ghats around Bhogwe Beach in Sindhudurg, my luxury resort, Coco Shambhala, suggested an unusual activity – an art class. They agreed to it and invited Chetan Gangavane, a third-generation Chitrakathi artist working to revive this art form. Chitrakathi Art While setting up the art activity, Mr Chetan briefs me about the 11 art forms his community (Thakar) has been involved with for generations. His family currently practices three art forms unique to Maharashtra: String puppetry, Chitrakathi, and Shadow puppetry. “Chitrakathi involves storytelling through art on a 12×15” or 12×18” canvas, which can take 1-3 days to complete, depending on the painting’s intricacy. Traditionally, these paintings depicted scenes from mythological epics like the Ramayana and Mahabharata, accompanied by live singers playing instruments. Therefore, Chitrakathi artists needed not only painting skills but also the ability to sing and play instruments,” explains Mr. Chetan. The Thakar community, an Adivasi tribe living in the forests, gained recognition for their art from the erstwhile warrior king Chhatrapati Shivaji Maharaj. He brought them out of forests and closer to towns and provided them opportunities to perform art shows during festivals. In return, the community assisted the king by spreading messages of social enlightenment through their art. The artists earned their livelihood for many years through food or monetary donations. However, over time, attitudes shifted, and people stopped donating food and began treating them with disrespect. The Gangavane family is the last Thakar community to practice this centuries-old art form. The rest gave up with

Arts and Theater

Nurturing Artistic Talent: Sunaina Misra’s Vision for Artiste Culture

In the vibrant world of contemporary art, one name stands out for its unique approach to nurturing and managing artistic talent: Goa-based Sunaina Misra. As the founder of Artiste Culture, Sunaina has revolutionized how artists are managed, helping them navigate the complexities of the art industry. Her agency works directly with artists worldwide, assisting them in making connections and developing the skills needed to elevate their creative careers. Surabhi Goel had the pleasure of sitting down with Sunaina to discuss her background, the origin of Artiste Culture, and her vision for the future. I always grew up in an environment where my mother encouraged me to explore art in various forms, painting or visiting galleries. She wanted me to find my passion, so she enrolled me in different classes, from basketball to art. By age 15, I started working with an artist in Lucknow, helping him in his studio. There, I discovered my knack for organizing and managing artistic tasks, such as typing resumes and basic computer tasks. This experience sparked my interest in art management. Later, I pursued my Master’s in Art and Design Management in Newcastle, which solidified my understanding of the field. After various roles, including working for an art start-up and a museum, COVID-19 hit, leading me to start Artiste Culture. A blend of necessity and passion drove me to create a platform to support artists during uncertain times. The inspiration came from identifying gaps within the industry. Artists often struggled with managing their careers while focusing on their art. I wanted to create a space where artists could focus on creating while we took care of everything else—finding exhibitions, writing citations, and managing logistics. My vision was to build a multicultural and diverse environment that supports artists from all over the world. Over time, Artiste

Arts and Theater

5 Prolific Women Contemporary Indian Artists to Watch for in 2024

In 2023, women artists from India achieved new heights and were lauded worldwide. With Amrita Sher-Gil’s work ‘The Story Teller’ becoming the most expensive Indian artwork ever sold, Google honouring Zarina Hashmi for her life’s work, and Nalini Malani winning the 2023 Kyoto Prize, Indian women artists in both modern and contemporary art are gaining momentum. This year, contemporary Indian women artists continued to wield their creativity as a powerful force, shaping the art scene and contributing to the evolution of societal narratives. With 2024 upon us, the recognition and interest Indian women artists receive will only continue to rise. Sneha Gautam, Senior Vice President at AstaGuru Auction House, lists some eminent women artists whom art enthusiasts and collectors should watch for in this year. Nalini Malani: Among the trailblazers in the contemporary art scene who are making an impact on a global scale is painter and multimedia artist Nalini Malani, recognised for her innovative use of technology and distinctive visual language. Born in Karachi in 1946, she studied at Sir J.J. School of Arts and became one of India’s video art pioneers. Malani’s work often explores themes of feminism, war, and the human condition, challenging viewers to engage with complex issues in new and thought-provoking ways. Her dedication to seeing the artist as an activist and her exploration of womanhood through various media has indelibly impacted India’s contemporary art. Bharti Kher: Influential contemporary Indian artist Bharti Kher was born in London to Indian immigrant parents in 1969. She captivates with her avant-garde creations that transcend traditional boundaries and is best known for works constructed with many bindis. Renowned for her thought-provoking sculptures and installations, Kher often explores themes of identity, mythology, and the female form. With a unique artistic vocabulary, she challenges conventional notions, using unconventional materials to craft

Arts and Theater

Art on Your Fingertips

Rooftop is a community-driven art experiences marketplace App that makes traditional Indian art forms accessible to the world. This App is a one-stop destination for all art needs, which is bridging the gap between Indian artisans and art lovers all over the world. This first-of-its-kind art technology company endeavours to curate art and recreational activities based on traditional art. Bindu Gopal Rao in conversation with the Founder of Rooftop, Kartik Gaggar. Rooftop was started to help the arts and artists. “Whilst travelling I came across so many different indigenous artists that were struggling to create value for their crafts. I was impressed with their skills and the passion with which they continued to love their heritage despite the challenges. When I started Rajasthan Studio, I wanted to bring art lovers closer to the artists and regenerate value for the arts. In 2020, when the pandemic hit, this provided me with an opportunity to revamp and pivot to a digital/online space with Rooftop. This enterprise was a brainchild of long hours of work, tears, and a zeal to make Indian traditional arts mainstream again,” explains Kartik Gaggar, CEO & Founder, of Rooftop. So how does it work? Rooftop works for art lovers and artists. It intends to connect the two and create revenue and value for different art forms scattered around the country. Rooftop onboards artists and experts based on their level of skills and love for their craft. The team record either workshops or courses with them to then market the same to different target audiences ranging from simple art lovers to hardcore artists. They also have subscription plans for people who are passionate about learning and upskilling. “Subscription is a great way to consume art and courses are great as it also gives you a personal connection with the