Tripti Dimri made her debut as a leading lady in Laila Majnu (2018) and received critical acclaim for her work in Anvita Dutt’s Bulbbul (2020) and Qala (2022). She rose to fame with her scene-stealing role in the blockbuster Animal (2023) and is now one of the most talked-about names in the industry. With Dhadak 2 on the way and her recent casting in Spirit, a role that was initially set for Deepika Padukone, Tripti is clearly on a career high. In conversation with LIPIKA VARMA, Tripti talks about her upcoming films, social change through cinema, and her desire to play complex, layered roles. Tripti Simri answers a volley of questions while promoting Dhadak 2. Excerpts: How do you feel about starring in Dhadak 2? Does doing a sequel bring added pressure? I think, if you don’t take that pressure, but perform with full honesty and trust in your director and your team, that’s when magic happens. And I think that’s what Siddhanth and I and everybody else did on this project. So, we made sure not to take any pressure and just take each day as it comes. What were your inputs to the character in terms of improvisation, intensity, and spontaneity? It was a collaborative work. Every day was different. We would rehearse the scenes and then just play off each other. Siddhant has been a wonderful actor. There were a lot of scenes that were based on his reaction, even though you didn’t plan it that way. Because acting is all about reacting. The way you interact with someone day to day, naturally, your expressions come out to the best of your abilities. So, that is what happened. I think I was lucky to have good actors in this film. Everybody is just brilliant. I am happy

In her upcoming horror-thriller Maa, Kajol steps into a space that’s as emotionally charged as it is spiritually rooted one that reimagines horror through the lens of motherhood, mythology, and inner strength. The film draws from the legend of Goddess Kali, blending it with a modern narrative that challenges both genre and tradition. It also stars Indraneil Sengupta, Kherin Sharma, and Ronit Roy in pivotal roles. In conversation with LIPOKAVARMA, Kajol opens up about the film that has deeply resonated with her both personally and professionally. A Story Rooted in Myth and Modernity “When we started, this wasn’t even meant to be a horror film,” Kajol begins, reminiscing about the origin of Maa. Maa draws inspiration from the mythological tale of Kali and Raktabeej stories Kajol remembers from her childhood and even used to scare her children with. The story was meant to be a tight thriller, but as the script evolved, so did its scope. “We realised we had to make it bigger, as the characters and the situations were so large in scale. A simple ending wouldn’t do justice to the emotion we had built. You can’t just have her shoot him in the head and walk away,” she explains. The spiritual and symbolic depth of the film demanded a more profound resolution something that echoed the power of Goddess Kali herself. The Title That Found Its Meaning What began as a working title became central to the film’s soul. “By the time we finished, we realised Maa said everything the film was about. It was not just about a mother, but the divine mother—Kali Maa—and the raw energy of maternal strength, both nurturing and destructive.” Kajol on the Evolution of Motherhood On and Off Screen In a reflective moment, Kajol discusses the enduring societal expectations around mothers.

Indian cricket has always been a powerhouse of extraordinary talent, consistently producing legends who have left an indelible mark on both national and international stages. The era of Sunil Gavaskar laid the foundation for batting excellence, while Kapil Dev’s leadership brought India its first World Cup glory. Then came Sachin Tendulkar, whose unmatched brilliance inspired generations, followed by the calm resilience of MS Dhoni, who redefined captaincy, and the fiery passion of Virat Kohli, who has set new benchmarks in modern cricket. Together, these icons have cemented India’s status as a cricketing giant. At the core of this success is a steady pipeline of young talent, nurtured through grassroots programs, domestic leagues like the IPL, and a deep love for the game across the nation. Today, anticipation surrounds the vibrant new generation of Indian cricketers. These young players, showing promise on domestic and international platforms, are poised to carry forward the legacy of excellence. Their fearless approach and adaptability to modern formats highlight their readiness to make an impact on cricket’s biggest stages. The growing interest extends to fans engaging with the sport in unique ways, such as exploring the top betting sites in India, where they follow the matches and support their favorite players by betting on them. This article will spotlight the top 10 emerging talents from India, exploring their journeys, achievements, and potential to shape the future of Indian cricket. Let’s take a closer look at the stars of tomorrow. Shubman Gill: Shubman Gill, hailed as the “prince of Indian cricket,” represents the future of India’s batting lineup. With a composed technique, Gill thrives as an opener, seamlessly transitioning between formats. By 2025, his ODI average exceeds 60, backed by seven centuries, including a stunning 208 against New Zealand. He was the Player of the Series during

Nimrat Kaur is back with a powerful role in Kull: The Legacy of the Raisinghs, a family drama that dives deep into generational wounds and societal facades. The actor, known for her intensity and grace, brings a haunting vulnerability to her character Indrani. In an exclusive chat with LIPIKA VARMA, Nimrat discusses the show’s themes, her artistic journey, and the emotional tribute she recently paid to her father. On the title, “Kull”- Yes, absolutely, kull is an interesting word, right? Kul-dosh, kul-ko-aage-badhane-wala. It symbolizes lineage, burdens, responsibilities. I really liked the title when Ekta chose it. I hoped it would stay. For me, Kull represents generational trauma and the weight we carry forward. On Indrani, her character-I feel incredibly grateful that people have embraced Indrani Rai Singh’s part and they have been able to relate to her circumstances, not necessarily her as a person, which I think was my intention in any case in the first place. Behind the sarees, the pearls, the carefully curated perfection, there’s a broken woman barely holding it together. By the end, she becomes so lost in her own delusions, she can’t even tell what’s real anymore. On doing justice to all the characters–Meryl Streep once said, you don’t become someone else entirely—you bring bits of yourself into every role. And that’s so true. I live on my own, I make my own decisions, I have a certain kind of independence in how I think and move through the world. That probably seeps into the women I play. Every character has a journey, a heartbeat—I always try to tap into that. Working with Ekta Kapoor- Ekta gave me my first web series, “The Test Case,” before OTT platforms even existed. That was a bold move. She gave me a platform when the space was still