Varun Dhawan, Mrunal Thakur and Pooja Hegde step into a world of love triangles, high-voltage comedy and classic Bollywood chaos, where every scene is designed to make audiences laugh out loud. Behind the madness of Hai Jawani Toh Ishq Hona Hai lies a fast-paced entertainer shaped by humour, music and family drama in true David Dhawan style. Hashtag Magazine brings you a glimpse into the energy, spontaneity and comic rhythm that powers the film. Varun Dhawan Q: How is this film different from your earlier David Dhawan comedies? Every film has its own madness. This one has double the confusion and double the fun. In a David Dhawan film, you have to stay alert all the time because he can suddenly change a scene, a reaction or even the way you say a dialogue. As an actor, you are always on your toes. You have to fully surrender to the comedy and conviction of the character. Q: Did you feel pressure working with your father again?Working with him is never easy because he pushes me the most. He won’t go easy on me just because I’m his son. In fact, he becomes stricter. There’s pressure, because I know the audience has expectations from a David Dhawan comedy and from our combination as well. He’s very clear on set. If something is wrong, he says it immediately. There’s no sugarcoating. Q: What was the toughest part of the film?Comedy timing is the toughest thing. People think comedy is easy because everyone is laughing, but it’s actually very technical. One second early or late, and the joke dies. Maintaining energy through chaotic scenes while keeping the rhythm correct was the hardest part. David Sir’s comedy looks effortless on screen, but while shooting, it’s extremely demanding physically and mentally. Q: Salman Khan joked

From high-fashion drama to gritty psychological thrillers and action-driven regional cinema, this summer’s big-screen lineup offers something for every kind of moviegoer. Whether you’re in the mood for a nostalgic sequel, an intense character study, or a gripping continuation of a beloved franchise, these upcoming releases promise compelling stories, standout performances, and plenty of cinematic spectacle. The Devil Wears Prada 2 Language: English Drama, Comedy The Devil Wears Prada 2 is the much-anticipated sequel to the iconic 2006 fashion drama, set to release on May 1, 2026. Directed by David Frankel and written by Aline Brosh McKenna, the film revisits the high-stakes world of fashion journalism in a rapidly evolving media landscape. The original star-studded cast returns, including Meryl Streep as the formidable Miranda Priestly, Anne Hathaway as Andy Sachs, Emily Blunt as Emily Charlton, and Stanley Tucci as Nigel. New additions like Justin Theroux and Kenneth Branagh bring fresh dynamics to the story. The sequel follows Andy’s return to Runway magazine as Miranda struggles to keep the publication relevant. With Emily now leading a luxury brand holding the key to Runway’s future, the film promises drama, power shifts, and a stylish look at modern media. BandarLanguage: HindiPsychological thriller Bandar is a crime thriller directed by Anurag Kashyap, known for his raw, unfiltered storytelling. The film follows Samar, an ageing television star whose life spirals after a scandal lands him in prison, forcing him to confront both external brutality and internal demons.Premiering at the Toronto International Film Festival (TIFF) 2025, the film has already generated buzz for its dark, character-driven narrative and intense performances, particularly Bobby Deol’s transformative role. Sanya Malhotra is expected to bring emotional depth, adding another layer to the story. True to Kashyap’s style, the film explores themes of power, downfall, and survival within a harsh, claustrophobic

Long before the Tamil film Dragon became a cultural moment, Kayadu Lohar was quietly building her career across industries. A winner of the Everyuth Fresh Face, Kayadu stepped into cinema in her teens and gradually explored Kannada, Malayalam, Telugu, and Tamil industries with projects like Mugilpete, Pathonpatham Noottandu, Alluri, and Funky. But it was Dragon, opposite Pradeep Ranganathan, that turned her into a viral sensation, bringing widespread recognition and positioning her as one of the emerging pan-South talents to watch. In a candid conversation with Priyanka Goud, Kayadu opens up about sudden fame, navigating multiple film industries, and finding peace away from the spotlight through travel. Acting Was Always the Plan For Kayadu, acting wasn’t a coincidence; it was always the goal. “I always knew I wanted to be an actor,” she says. Winning the Fresh Face title during college became the first big push. “It gave me visibility, auditions, and belief. At just 18, I found myself travelling across cities for auditions, sometimes attending three to four in a single day. As a newcomer, you don’t always get full narrations. Many times, you say yes based on the production house or the hero attached.” Navigating Languages and Cultures Born into a North Indian family, speaking Nepali at home, fluent in Hindi and Marathi, and raised in Pune, entering South Indian cinema came with its own challenges. “South Indian languages aren’t my first language, so understanding the rhythm and culture initially took time,” she says. But over the years, she developed her own process. For Kayadu, learning a language goes beyond memorising lines. “If I’m doing a Malayalam film, I’ll only listen to Malayalam songs during that phase. Music helps me understand the emotion and culture behind the language.” The Dragon Effect Her performance as Pallavi in Dragon proved to

Svetha Yallapragada Rao, professionally known as Rajakumari, is based in Mumbai. She holds a BA in Religious Studies and comes from a family of doctors, where education and discipline were deeply valued. However, it was Indian classical dance that shaped her most profoundly. She began training at a very young age, immersing herself in tradition, mythology, and devotion. Reflecting on those formative years, she says, “Classical dance didn’t just teach me technique, it taught me reverence, storytelling, and the sacred power of the stage.” The discipline of classical arts instilled in her both artistic rigour and spiritual grounding, foundations that continue to define her creative expression. Art with Cultural Responsibility Rajakumari chose her stage name intentionally. “I chose the identity of ‘Rajakumari’ as a vision, almost like embodying the energy of a goddess,” she explains. Having grown up inspired by Devi through classical dance, the divine feminine became central to her artistic identity. While growing up in America, she noticed the absence of Indian artists in mainstream spaces. “I wanted to become the artist I needed when I was younger, someone unapologetically Indian, modern, powerful, and visible.” Breaking into the American record label system in 2016 came with significant challenges. There were battles, resistance, and moments that demanded persistence. Yet, witnessing the cultural shift today validates that journey. “When I meet fans who proudly wear their bindis or celebrate their culture boldly, I understand the weight of the journey. We are all connected, and cultural pride is powerful.” THE RAJAKUMARI CODE Rajakumari believes authenticity is her defining strength. “Trends shift, genres evolve, and paths change, but I have always remained true to my vision and message.” She emphasises manifestation and cultural pride as pillars of her philosophy. “You don’t have to abandon any part of yourself to succeed.” Her work