What are the three biggest bridal trends you predict will dominate 2026?
For me, it’s the reimagining of the drape, the beauty of crafts like chikankari and lace, and a much stronger focus on jewellery. Whether it’s a traditional necklace from our High Jewellery or a contemporary ear cuff that can completely change the feel of an outfit. I think we’ll see the sari and different interpretations of the drape becoming a big part of bridalwear again. There is something so timeless about it, but there are endless ways to make it feel fresh and personal.
Which colours and fabrics are going to be particularly relevant?
I see a beautiful mix. Ivory and soft pastels continue to feel very relevant, but I also see deeper jewel tones, wine, garnet and unexpected blues becoming important. In fabrics, I love organza, tissue, lace and chiffon for their lightness and movement, balanced with richer silks and velvets. What interests me most is mixing textures rather than allowing one fabric to dominate the entire look.
What is one bridal fashion choice you think women should avoid?
Wearing something simply because it is trending. Your wedding photographs stay with you forever, and the most beautiful brides are always the ones who still look like themselves. Experiment, absolutely, but don’t allow the outfit to wear you.

How should couples approach the challenge of dressing for multiple wedding events without making every look feel repetitive?
I always look at a wedding wardrobe as a story. If the wedding is traditional, perhaps the sangeet becomes more glamorous and experimental, the mehendi lighter and playful, and the reception sharper and more contemporary. Change the silhouette, colour, texture and jewellery rather than simply changing the outfit. Every event should reveal another side of you, but together they should still feel connected.
What can a bride do to stand apart from bridesmaids who are increasingly dressed to the nines themselves?
She doesn’t need to compete with them. A bride has an emotion and presence that nobody else in the room can replicate. I would concentrate on impeccable fit, beautiful craftsmanship, a strong silhouette and extraordinary jewellery rather than simply adding more embroidery. High Jewellery can really become part of that individuality too; from the grandeur of our Imperial Heirlooms and signature haathphools to contemporary earcuffs and statement jewels. Sometimes one exceptional piece creates far greater impact than simply adding more.
There’s a growing conversation about brides wanting pieces they can wear again rather than a lehenga that lives in a box. Do you design with re-wearability in mind now, and is that changing how heavy a bridal piece can be?
Absolutely! I love the idea of wedding clothes becoming part of your life rather than disappearing after one evening. A beautifully embroidered blouse can later be worn with a sari, a lehenga can be paired with a simpler top, and a dupatta can completely transform another look. Re-wearability doesn’t mean making bridal less special- it means designing exceptional pieces that can continue to live with you.

