Varun Dhawan, Mrunal Thakur and Pooja Hegde step into a world of love triangles, high-voltage comedy and classic Bollywood chaos, where every scene is designed to make audiences laugh out loud. Behind the madness of Hai Jawani Toh Ishq Hona Hai lies a fast-paced entertainer shaped by humour, music and family drama in true David Dhawan style. Hashtag Magazine brings you a glimpse into the energy, spontaneity and comic rhythm that powers the film. Varun Dhawan Q: How is this film different from your earlier David Dhawan comedies? Every film has its own madness. This one has double the confusion and double the fun. In a David Dhawan film, you have to stay alert all the time because he can suddenly change a scene, a reaction or even the way you say a dialogue. As an actor, you are always on your toes. You have to fully surrender to the comedy and conviction of the character. Q: Did you feel pressure working with your father again?Working with him is never easy because he pushes me the most. He won’t go easy on me just because I’m his son. In fact, he becomes stricter. There’s pressure, because I know the audience has expectations from a David Dhawan comedy and from our combination as well. He’s very clear on set. If something is wrong, he says it immediately. There’s no sugarcoating. Q: What was the toughest part of the film?Comedy timing is the toughest thing. People think comedy is easy because everyone is laughing, but it’s actually very technical. One second early or late, and the joke dies. Maintaining energy through chaotic scenes while keeping the rhythm correct was the hardest part. David Sir’s comedy looks effortless on screen, but while shooting, it’s extremely demanding physically and mentally. Q: Salman Khan joked

In a time when attention spans are shrinking and digital content dominates, the enduring power of books continues to find new ways to resonate. At the helm of Crossword Bookstores, Nidhi Gupta has spent over 15 years shaping not just a retail brand, but a thriving reading culture. In this conversation, she reflects on her personal relationship with books, the shifting habits of modern readers, and why bookstores today are as much about community as they are about commerce. You’ve spent over 15 years shaping Crossword’s journey. What role have books played in your own life, and which titles or authors have deeply influenced you personally and professionally? I’ve always shared a deep connection with books. They hold many roles in our lives, serving as companions, guiding us as teachers, and opening windows to perspectives we might never otherwise experience. Growing up, reading helped shape my curiosity and empathy, and over the years, it’s become integral to how I think and make decisions. I’ve been deeply influenced by authors who combine storytelling with insight, whether it’s literary fiction that explores human complexity or business writing that sharpens perspective. Professionally, books have taught me the importance of staying adaptable and constantly learning, which is essential in an ever-evolving industry like ours. In an age of short-form digital content and shrinking attention spans, how do you see the culture of reading evolving, especially among younger audiences in India? While it’s true that attention spans are being challenged, I don’t believe the desire to read has diminished. Younger audiences today are discovering stories in new ways, whether through curated recommendations, social media, or genre-driven communities. What’s encouraging is that when the right book reaches the right reader, the engagement is still deeply immersive. We’re also seeing a shift toward more accessible formats, relatable

From high-fashion drama to gritty psychological thrillers and action-driven regional cinema, this summer’s big-screen lineup offers something for every kind of moviegoer. Whether you’re in the mood for a nostalgic sequel, an intense character study, or a gripping continuation of a beloved franchise, these upcoming releases promise compelling stories, standout performances, and plenty of cinematic spectacle. The Devil Wears Prada 2 Language: English Drama, Comedy The Devil Wears Prada 2 is the much-anticipated sequel to the iconic 2006 fashion drama, set to release on May 1, 2026. Directed by David Frankel and written by Aline Brosh McKenna, the film revisits the high-stakes world of fashion journalism in a rapidly evolving media landscape. The original star-studded cast returns, including Meryl Streep as the formidable Miranda Priestly, Anne Hathaway as Andy Sachs, Emily Blunt as Emily Charlton, and Stanley Tucci as Nigel. New additions like Justin Theroux and Kenneth Branagh bring fresh dynamics to the story. The sequel follows Andy’s return to Runway magazine as Miranda struggles to keep the publication relevant. With Emily now leading a luxury brand holding the key to Runway’s future, the film promises drama, power shifts, and a stylish look at modern media. BandarLanguage: HindiPsychological thriller Bandar is a crime thriller directed by Anurag Kashyap, known for his raw, unfiltered storytelling. The film follows Samar, an ageing television star whose life spirals after a scandal lands him in prison, forcing him to confront both external brutality and internal demons.Premiering at the Toronto International Film Festival (TIFF) 2025, the film has already generated buzz for its dark, character-driven narrative and intense performances, particularly Bobby Deol’s transformative role. Sanya Malhotra is expected to bring emotional depth, adding another layer to the story. True to Kashyap’s style, the film explores themes of power, downfall, and survival within a harsh, claustrophobic

Long before the Tamil film Dragon became a cultural moment, Kayadu Lohar was quietly building her career across industries. A winner of the Everyuth Fresh Face, Kayadu stepped into cinema in her teens and gradually explored Kannada, Malayalam, Telugu, and Tamil industries with projects like Mugilpete, Pathonpatham Noottandu, Alluri, and Funky. But it was Dragon, opposite Pradeep Ranganathan, that turned her into a viral sensation, bringing widespread recognition and positioning her as one of the emerging pan-South talents to watch. In a candid conversation with Priyanka Goud, Kayadu opens up about sudden fame, navigating multiple film industries, and finding peace away from the spotlight through travel. Acting Was Always the Plan For Kayadu, acting wasn’t a coincidence; it was always the goal. “I always knew I wanted to be an actor,” she says. Winning the Fresh Face title during college became the first big push. “It gave me visibility, auditions, and belief. At just 18, I found myself travelling across cities for auditions, sometimes attending three to four in a single day. As a newcomer, you don’t always get full narrations. Many times, you say yes based on the production house or the hero attached.” Navigating Languages and Cultures Born into a North Indian family, speaking Nepali at home, fluent in Hindi and Marathi, and raised in Pune, entering South Indian cinema came with its own challenges. “South Indian languages aren’t my first language, so understanding the rhythm and culture initially took time,” she says. But over the years, she developed her own process. For Kayadu, learning a language goes beyond memorising lines. “If I’m doing a Malayalam film, I’ll only listen to Malayalam songs during that phase. Music helps me understand the emotion and culture behind the language.” The Dragon Effect Her performance as Pallavi in Dragon proved to